Alexandria Walton, Lea Rose Sebastianis and Ivy Wolk in 'Castration Movie Anthology ii. The Best of Both Worlds' (Louise Weard) No matter what the conservative politicians or any of the other bigots ...

'Demon Slayer: Kimetsu no Yaiba – The Movie: Infinity Castle’ (Crunchy Roll) What do we do when we start making a movie? We yell “action!” because that’s what this medium is all about. On a basic, ...

Welcome to a very special holiday edition of Trust Me, I Watch Everything. Christmas is the biggest day of the year for moviegoing, and there's a wealth of new options in theaters as well as recent ...

2026 Oscar nominations: Expert’s predictions in 11 key categories Box Office: ‘28 Years Later: The Bone Temple’ opens behind ‘Avatar: Fire and Ash’ David Lynch lives on, plus the best movies in LA ...

The new "SpongeBob Movie" arrives in theaters Friday, Dec. 19. There's a fair amount of bathroom humor and some scary images of a zombie sailing crew and Underworld monsters. Parents will appreciate ...

I'm going to say something: 2026 is already looking to be a major year for major motion pictures. From big superheroes, of course, to some long-anticipated sequels and interesting new takes from old ...

New York Post may be compensated and/or receive an affiliate commission if you click or buy through our links. Featured pricing is subject to change. It’s lights out and away we go: the “F1” movie is ...

You wouldn’t call 2025 an “off” year for horror — more like an odd one. Both A24 and Neon continued to back several scary-movie auteurs (the prolific Osgood Perkins, the brothers Danny and Michael ...

Movies are the great escape. “Optimistic endings, passionate romances,” sings the incarcerated dreamer of “Kiss of the Spider Woman,” who looks to old Hollywood movies as an oasis of beauty and faith.

Our film critics rank their 10 favorites of the year. By Manohla Dargis and Alissa Wilkinson Manohla Dargis It was another great year for the movies and another horrible, hair-on-fire year for the ...

2025 was a year that posed a lot of questions for movie lovers: Did the success of Sinners prove that there was still a mass audience hungry for original (read: non-IP) stories on a blockbuster level?