The Rhizome Microgrants 2025-26 program has been funded by small donations from our community. Octant-funded projects were ...

Beginning in 2015, with the visionary support of the Mellon Foundation, we incubated Webrecorder, a service for archiving the ...

The program will run weekly in NYC from Feb 25, 2026 to April 29, 2026, with a final presentation of finished projects on May ...

~ Transition from the old “white capitalist patriarchy” to informatics of domination: completed migration. Successful deployment. User adoption stabilized. The next technological disruption inevitable ...

Johansson Projects is pleased to announce Sin Contar Cincuenta, the third solo exhibition by Oakland-based artist Miguel Arzabe with the gallery. Arriving at a moment of heightened social and cultural ...

“Imagine if we could begin our little life all over again. Imagine if it was all nothing more than some electronic game. Imagine if I knew then what I know now.” —Deus Ex Machina, Automata, 1984 If ...

The latest in a series of interviews with artists who have developed a significant body of work engaged (in its process, or in the issues it raises) with technology. See the full list of Artist ...

Cover image: Screenshot of BookStory’s opening title screen, featuring the interior of the Kurome Shobo bookstore. Usually, a Google Sheet is the site of bureaucratic misery and numbing digits; the ...

Courtesy grouphab.it and Harm van den Dorpel. An extended and altered version of this text will be published in... You Are Here: Looking at After the Internet (Cornerhouse Books 2014), edited by Omar ...

In 1998, the Guggenheim Museum launched its first web-based art commission, Shu Lea Cheang's Brandon. Over the course of a year, the collaborative, dynamic piece would look at the complexity of gender ...

This essay was originally published November 2022 as a chapter in the book Documentation as Art, edited by Annet Dekker and Gabriella Giannachi. In the preservation of digital art, documentation is ...

For nearly 30 years, Rhizome has supported digital art that has helped to shape contemporary conversations about technology and culture. In an era of platform monopolies, algorithmic manipulation, and ...