Will Eshelby reviews a subversive festive special, the Bonnie Blue Nativity at Lost Horizon ...

The third installment in Rian Johnson’s whodunnit oeuvre is not only riotously entertaining and packed with great ...

Epigram attended three days of the Bristol Palestine Film Festival, Eve Perrins begins our coverage and review of the films ...

From diary-entry lyrics to grungy guitars, Nobody’s Dad discuss DIY songwriting, Rough Trade milestones, and why Bristol ...

A funky fusion of dance music and indie rock, Black Grape picks up where the 90s band Happy Mondays left off - a new ...

Academy Award Winner Kathryn Bigelow’s long-awaited return to the director’s chair is a characteristically terse and utterly ...

Bursting with no need for a prelude onto our stages and ears in 2023, The Last Dinner Party are undoubtedly one of the most ...

Prof. Alice Sullivan from University College London was met with protesters when she visited Bristol in October to deliver a ...

Millie Hicks and Betsan Branson William take on the age-old debate: book first, or straight to the adaptation?

Beth Nugent investigates why film production in LA has continued to drop since the SAG-AFRTRA strike in 2023 and looks to see ...

Luca Guadagnino’s latest film is technically dazzling and brilliantly acted but feels like it’s joining the conversation a ...