“Only the anachronism has a chance to outlast the epoch,” the Austrian author Franz Werfel wrote, in the early nineteen-forties. At a time of dizzying cultural change, Werfel saw a hidden advantage in ...

The first sounds I heard after arriving at Philip Glass’ townhouse in Manhattan’s then-bohemian East Village to interview the composer in 1993 were extraordinary. Glass happened to be in his kitchen ...

Performances in N.Y.C. Advertisement Supported by Kirill Gerstein, who has recorded a new account of the Second Piano Concerto with the Berlin Philharmonic, discusses the composer’s polarizing legacy.

The 1917 Russian Revolution was, to many, a calamitous social and ideological experiment on an unprecedented scale. As the centenary of the event is marked this year, it is perhaps revealing to note ...

The question of assimilation has been on my mind a lot lately. Living in this great country where individuality is embraced, our current obsession with assimilation for those choosing the U.S. as ...

Two days after the announcement that in a full 43 months, or approximately 1,300 days, Gustavo Dudamel will become music director of the New York Philharmonic, the Los Angeles Philharmonic’s music ...

Sometimes, a melody is worth 1,000 words — or, in the case of a theater review, about 800. To really get a feel for the tone of “Rachmaninoff and the Tsar,” the latest addition to Hershey Felder’s ...

Rachmaninoff came to London in 1938 and is here pictured at the Piccadilly Hotel Ahead of a BBC Four tribute to composer Sergei Rachmaninoff, a BBC music journalist explains why his music continues to ...